Star Wars Movies Ranked from Worst to Best: Most Recent Update in 2023!
12 Star Wars Movies Ranked
Star Wars: Episode V The Empire Strikes Back (1980)
Although it has become a cliche, Empire is a darn near flawless movie in terms of both visuals and audio. Our nightmares are haunted by the color schemes of Hoth, Dagobah, and Cloud City. Likewise, the music, especially the specially created Imperial March for this movie, does.
Darth Vader, who only had 10 total minutes of screen time in the first movie, truly shines as a terrifying antagonist. Yoda’s Force lectures came dangerously close to igniting a new religion.
Additionally, the plot—for which Lucas does not receive enough credit—is a lesson in how to make a sequel that is better than the first.
Star Wars: The Force Awakens (2015)
One of the best film debuts ever is Star Wars: The Force Awakens opening hour. Rey was introduced with impressive economy, and the scenes that showed how people lived in the Jakku junkyard were astounding.
Claims that The Force Awakens (TFA) was a beat-for-beat remake were refuted by the parallel story of the defecting stormtrooper Finn, which was a novel in the Star Wars canon.
The arrival of Starkiller’s base in the second hour transformed the movie into a Star Wars best-hits collection.
The story still works quite well despite the weight that Han’s passing gives it. Simply put, we would have preferred to see one fewer X-wing squadron engage in an attack on a large spherical object.
Star Wars: The Last Jedi (2017)
On a distant planet where Luke Skywalker is living as a solitary hermit, a young female student approaches him as a reluctant recluse. This was George Lucas’ original idea for the sequel trilogy.
In order to give Star Wars the 21st-century update it desperately needed, director Rian Johnson grabbed this concept and went with it. Jedi
With their bare hands, a new generation tore apart worn-out clichés (like Snoke, the Emperor clone). In their place, Rey and Kylo Ren developed into complicated individuals who each contained both darkness and light. The level of risk was unprecedented, but so was the level of bravery.
Rogue One: A Star Wars Story (2016)
An extended summer of frantic editing hurt the first Star Wars spin-off story. The outcome might have improved the decisive conflict and introduced the well-known lightsaber sequence starring Darth Vader.
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Star Wars: Episode VI Return of the Jedi (1983)
George Lucas’ sudden impulse to freeze his franchise and tie everything up in a bow hurts the original trilogy’s grand finale. Many viewers, including Mark Hamill, thought it was too soap operatic to have Leia become Luke’s long-lost sister.
And yet, it succeeds in completing the most ambitious movie trilogy in history, which is a very difficult undertaking. Anakin became the tragic hero of the entire first six-film arc as a result of Vader’s choice to save his son from the Emperor, a choice that would echo throughout the Star Wars universe.
Oh, and you can take your complaints about Ewoks somewhere else. The original Star Wars was made to show how a savage species that literally eats Stormtroopers for breakfast can overthrow a technologically advanced empire.
Star Wars: Episode III Revenge of the Sith (2005)
Unquestionably the darkest and best of the prequels, Revenge of the Sith captures the heart of a wonderful tale. Sith would be the best novelization of a movie if we were discussing movie novelizations; the Matthew Stover book is exquisitely written and provides a plethora of additional material.
Sadly, Lucas kept making changes to his own version of the narrative right up until the deadline. He changed Anakin’s motivation for turning to the Dark Side in post-production. This made the pivotal moment of the entire prequel trilogy a confusing jumble and made the Jedi look even more dumb than they already did.
If you think this movie merits a higher score, you probably remember the explosive volcanic combat between Anakin and Obi-Wan rather than the tedious hallway chatter in Coruscant. The latter, however, take up the great majority of the movie’s running time.
Solo: A Star Wars Story (2018)
Solo is a good origin tale that deserves to be told, a clever little heist movie (and the highest-grossing heist movie of all time at the box office).
especially if it is seen as an ensemble piece. Woody Harrelson, who played Han’s tutor, Beckett, was less convincing as the character than Alden Ehrenreich. The portrayal of Young Lando by Donald Glover was superb, and Phoebe Waller-Bridge deeply engaged our thoughts on droid rights.
There were awkward moments that weren’t required, like where Han Solo got his last name from and how much CGI was used during the Kessel Run. In many theaters, the lighting also seemed too dim. However, the screenplay by Empire Strikes Back screenwriter Lawrence Kasdan and his son Jon is clever enough to keep you laughing.
Due to stiff competition, Solo is not ranked higher, but as a palate cleanser between mythology-heavy epics, it accomplished its goal almost perfectly.
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Star Wars: Episode II Attack of the Clones (2002)
Attack of the Clones was supposed to be the best in the prequel trilogy because it is the darker middle installment. It featured political maneuvering that mirrored the War on Terror era in which it was set and a terrific twist that upended all you believed you knew about the Clone Wars.
What went erroneous? Start with the script that Lucas penned in record time and quickly distributed to the crew. It’s not a smart idea to try something new, like writing a romance, when doing that.
Hayden Christensen and Natalie Portman’s lack of chemistry didn’t help, but neither did the fact that their language was ever even remotely romantic (I detest sand, he said, contrasting it with her smooth back).
Star Wars: The Rise of Skywalker (2019)
Visually, The Rise of Skywalker is among the best Star Wars movies. Who could forget Rey’s backflip at the beginning of the first trailer while perched atop Kylo Ren’s ship? As we mentioned in our initial review, it’s better to watch Skywalker without giving it too much consideration.
Of course, the story is as crucial. And what we got was a story that barely had time for familiar faces (hello, Lando! ), as the final chapter introduced so many new characters. J.J. Abrams made an effort to please everyone but ended up pleasing nearly no one because he was supposedly shocked by the response of a vocal minority to The Last Jedi.
The reversal of Rey’s origins, the Emperor’s unexpected revival, the questionable restoration of the galaxy’s most tedious man, the marginalization of Rose Tico, and the disregard for Finn was particularly grating.
Abrams didn’t wrap up a nine-film series with a flourish; instead, he did it so carelessly that he might have damaged the saga’s reputation as a whole, and most definitely the sequel trilogy’s.
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Star Wars: Episode I The Phantom Menace (1999)
It’s not as bad as you might remember. There is also Yoda’s famous description of how the Dark Side manifests itself as fear, as well as the dynamic lightsaber battle between Darth Maul and Obi-Wan Kenobi that resembles more ballet than actual warfare.
Additionally, Lucas was at least trying to break himself of all the Flash Gordon fan fiction he had planned for the original Star Wars with his script. (Midi-chlorins can be found in his 1977 notes, even though they shouldn’t have been mentioned on-screen.)
Star Wars: The Clone Wars (2008)
The first episode of the Cartoon Network television series Clone Wars was this movie. Then, George Lucas made the puzzling choice to abruptly turn this material into a movie.
Lucas may not have been happy with the endeavor as the big Lucasfilm product licensees were not informed beforehand. No big deal. In 2008, Clone Wars was a long way from developing over the course of seven seasons into a show with a story and animation deserving of a Star Wars movie.